Category Archives: Music
Great, great news from Classical:NEXT! Southbank Centre’s year-long festival of 20th-century music and culture, The Rest is Noise, has won the Innovation Award, together with the Lucerne Festival’s Ark Nova, a mobile, inflatable concert hall that toured Japan’s earthquake-blighted regions in 2013. More good news is that the first runner-up is the Morley College course for young women conductors. Cheers, all! Wish I was still there to help celebrate!
Around 2000 participants from the three previous Classical:NEXT trade fairs voted for two winners from a list of 21 projects all around the world. It’s a list of remarkable scope and continual inspiration, from a street orchestra in Brazil to Alistair Campell – no, not that Alistair Campbell, but the co-director of the Tectonics Festival in Glasgow.
Classical:NEXT’s director Jennifer Dautermann says: “This award aims to give international recognition to the people who are doing the most to push things forward with daring yet intelligent, effective and successful ‘out-of-the-box’ thinking, planning and action.”
You can see a collection of video interviews by Klassik.tv at Classical:NEXT here - including one with me, doing my bit for gender politics.
Chances are that if you’re a regular here at JDCMB you already know all about The Rest is Noise festival, so here is a video introduction to Ark Nova.
The pianist James Rhodes has won the right to publish his traumatic memoirs after a lengthy legal battle in which an injunction to prevent its release was raised by his ex-wife in the court of appeal. He was at Classical:NEXT in Rotterdam the other day and gave this interview to The Guardian while there.
There’s another significance for this besides freedom of speech. In a music world that has been riven by revelations of historic sexual abuse of schoolchildren and college pupils, for which several people have gone to jail in recent years, this memoir has not come a moment too soon.
All too often victims of abuse in childhood are not believed when they speak up as adults, or are put through torments in court of the type that allegedly led to the death by overdose of the violinist Frances Andrade in 2013. Rhodes is a powerful communicator and eloquent with both words and music. He is the person who has now been brave enough to tell us all the truth, to show us what the realities of this living hell are – for nobody can imagine it for themselves if they have not experienced such a thing – and thus offers us a chance to understand what happens, what the long-term effects are and therefore why it is so important that we don’t keep on turning a blind eye or blaming the victims for somehow, supposedly, bringing these horrors on themselves.
We owe it to him and to other people who have been through such experiences to treat them at the very least with compassion. The German word for compassion, ‘Mitleid’ (see Parsifal), explains this better than anything else: literally meaning “with sorrow” – i.e., sorrowing together. And as Parsifal shows us, the presence of this quality in other human beings is an essential ingredient in the start of a healing process of sorts that cannot take place without it.
As for freedom of speech, this is a major victory – and hopefully will set a precedent for other situations in which people speak up, tell the truth yet are silenced by a society that just doesn’t want to know and tries to find official ways to make sure it needn’t. As the court ruled: “The right to report the truth is justification in itself.”
English PEN, Index on Censorship and Article 19 all intervened at the Supreme Court, pointing out that the implications were the book to be suppressed would have “a chilling effect on the production and publication of serious works of public interest and concern”.
English PEN reports:
In a robust defence of freedom of expression, the court ruled: ‘The only proper conclusion is that there is every justification for the publication. A person who has suffered in the way that the appellant has suffered, and has struggled to cope with the consequences of his suffering in the way that he has struggled, has the right to tell the world about it.’
Chetham’s upper sixth-form pianist Yuanfan Yang yesterday won first prize in the senior division at the Cleveland International Piano Competition for young performers (12-18). Yuanfan is a former winner of the BBC Young Musician of the Year piano secti…